剧情简介
康沃尔渔(🌠)村的风景明信片田园诗误导(🍩)了人们。虽(suī )然过去(🛍)钓鱼(🕰)是一种养家糊口的方(🥈)式，但(🌰)如今富有(🗼)的伦敦游客(kè )纷纷下山，取代(dài )了当地人，当地人的生计因此受到威胁(xié )(🎡)。史蒂文和马(✳)丁兄弟(🛹)的关(guān )系(xì )也很紧张。马(🎫)丁(dīng )是一个没有船的渔夫(🚑)，因(yīn )为(🕕)史蒂(dì )文开始用它(tā )(⏺)来(lái )(🚢)为(🌙)一整天(tiān )(🚣)的游(yóu )客(kè )提供更赚(zuàn )钱的旅(🔢)游。他们卖掉了(㊗)这(zhè )座(zuò )家庭别墅，现在看(kàn )来，最后一场(㊙)战斗是和(💪)新主人在海边的(de )(🥫)停(tíng )(🤷)车(chē )位上(shàng )展开。然而，情况很(hěn )(🏯)快(kuài )就失控(kòng )了，而(🚴)不仅仅是因为车轮夹钳。 Bait是一种(🚗)黑白，手工制作，16毫米胶(🤷)片制作(zuò )的电影。许多(💯)关于鱼(🏒)、网、龙虾(xiā )、长靴(xuē )、(😙)绳结(jié )和(📛)渔篮的特写(🥤)镜头让人想(xiǎng )(🥅)起了蒙太(🔞)奇景点(📐)的理论(lùn )。对(duì )不同社(🖍)会(huì )(🔫)阶层的描述(shù )—(⏳)—可以说是阶(jiē )(👛)级关(guān )系(👗)——(📤)也让(ràng )人想起了英(yīng )国(👩)电(diàn )影中的社(shè )会现实(shí )主(zhǔ )义(yì )传统(tǒng )。然而，最重要(yào )的是，在影(🐈)像(xiàng )中(zhōng )不(🔍)同(🌲)层次(cì )的电(diàn )影(🐱)历(lì )史参考文献之下，当前许多政治关(guān )(🎞)联正在等待被发现。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎲) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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